If all the world were monochrome and I had to choose a colour to paint across the globe, I’d choose the ever-changing hue of the vast sky so I could watch ancient clouds wend through the atmosphere—endlessly and aimlessly. There is something about the omnipresence of the sky as it gazes upon the worm’s meat of humanity—as it gazes upon it’s orgasms and it’s suffering—which gives the impression that it knows of the human existence but wisely chooses to ignore our perpetual state of anxiety and need for control; it’s almost as through it sits above us and smiles—just like the Tibetan Buddhist monk who looks upon their pupil with knowledgeable eyes and old laughter and says “the purpose of our lives is to be happy.” As the man, drowning in paper and expensive fabric, mindlessly trudges alongside the artistic dreamer—who has a heart full of paint and a paintbrush for a brain. There’s something quite magical about the dust of time’s remains and how it seems to scatter itself across the sky—sprinkling humanity with it’s past mistakes and heartache. A universe of mystery lies beyond the marlin blue blanket. So, as the man and his conquests continue to tread the concrete floor, the sky will wink and smile, in all it’s glory.